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Thom Conroy
‘Images that Wouldn’t Leave’: A Typology of Pleasure in Tracey Slaughter’s Short Fiction
 
Tracey’s Slaughter’s short fiction in Deleted Scenes for Lovers has been widely described in terms of drawing attention to the sensory experience of language — an experience I would categorise as a visceral form of reading pleasure. In ‘On Reading’ Roland Barthes famously asked, ‘Are there different pleasures of reading? Is there a possible typology of these pleasures?’ (39).   My talk will situate the embodied experience of reading Slaughter’s short fiction into a typology of pleasure arising from textual analysis and insights adapted from neuroaesthetics. Neuroaesthetics is a broad and emerging field that attempts to examine the mental processes of aesthetic experience.
 
Biography
Thom Conroy is the author of two novels, The Salted Air and The Naturalist, both with Penguin Random-House. He is the editor of the essay collection Home  (Massey University Press 2017). His short fiction has been recognized by Best American Short Stories 2012 and has won other awards, including the Katherine Ann Porter Prize in Fiction and the Sunday Star Times Short Fiction Competition. He is also a Senior Lecturer in Creative Writing at Massey University.
Thom Conroy
Katie Wilson
James Eunson
Dame Fiona Kidman
Paula Morris
Craig Cliff
Tracey Slaughter
Majella Cullinane
Rebecca Styles
Kevin Ireland
Tim Jones
Anna Smith
Maggie Rainey-Smith
Owen Marshall
Janet Wilson
Tom McLean
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  • Home
  • About
  • DAN DAVIN
  • Dan Davin Literary Awards
  • Southland Writers & Readers Festival
  • Dan Davin's Work
  • Home